The Marvel Cinematic Universe has raised the bar for superhero action films, and each of the MCU’s several films has something spectacular to offer, from The Avengers’ “building a team” subplot to Captain America: The Winter Soldier’s spy thriller intrigue and Shang-intriguing Chi’s wuxia motifs. But the three Spider-Man films take first place.
Although the new Spider-Man films in the MCU are very different from the beloved original Sam Raimi Spider-Man trilogy, they are nonetheless very popular. These three Spider-Man films, which star the young actor Tom Holland, are very different from other MCU films in a number of ways, and they also execute several concepts better than other MCU films do.
The Spider-Man Movies Have A Sympathetic Lead In Peter Parker
The MCU’s other heroes, like Star-Lord, a humorous space rogue, and Bruce Banner, a scientist with a vicious side, are all captivating in their own unique ways. Peter Parker is undoubtedly more empathetic and relatable than any of those middle-aged heroes.
Like the MCU, comic book lovers of all ages can enjoy them, but Peter Parker clearly resonates more to younger readers who also understand what it’s like to be insecure as a child. Than Tony Stark or Natasha Romanoff, Peter is a character that a lot more fans can identify with.
Responsibility and consequences are a theme that runs through the Spider-Man films.
The three Spider-Man films do this better because Peter is the right age to learn these lessons, whereas the themes of responsibility and consequences do appear in other MCU films, such as Tony Stark/Iron Man taking responsibility for his family’s bloody legacy and becoming a hero rather than an arms dealer. After all, it was Spider-Man who popularized the proverb “with great power comes tremendous responsibility.”
To see Peter Parker struggle with that lesson is amusing and relatable. Peter makes mistakes throughout the trilogy, such as giving Quentin Beck his high-tech glasses or breaking into his own suit, and he is left to face with the fatal results of these decisions alone.
The Whimsical Humor in the Spider-Man Movies is Amazing
Moviegoers are already accustomed to the humorous elements of the MCU, such as Drax’s erratic behavior and Tony Stark’s never-ending one-liners. However, it’s safe to conclude that overall, the Spider-Man movies have the funniest humor.
More so than witty lines, the humor in the Spider-Man films is based on the characters. Being a child, Peter makes a variety of pop culture references and is frequently endearingly clumsy and ruffled. Ned and MJ each make unique contributions to the hilarious humor.
The best hero-civilian life balance may be found in the Spider-Man films.
It might be challenging for many superheroes to blend their normal lives with their superhero personas. Peter Parker is more balanced than most characters in the MCU, like as Captain America and Falcon, who completely give up their normal lives to become superheroes.
Peter Parker does a fantastic job of juggling his roles as the youngest Avenger and a high school senior, and it’s a lot of fun to watch him do it. Fans enjoy watching how the collision of Peter’s two worlds frequently results in grief for him because he is a boy of two worlds.
A list of Spider-Man films Create Some Original Villains
Unfortunately, not many MCU antagonists are as memorable as Thanos or the flamboyant Loki. The three Spider-Man films elevate comic book villainy above some opponents, like Ivan Vanko, Malekith, or Aldrich Killian, who are forgettable or just plain terrible.
Because the Spider-Man films are centered about interpersonal relationships, Spider-Man frequently faces off against memorable characters like Sandman and Doctor Octopus in addition to the father of his fiancée. In Spider-Man: No Way Home, it was interesting to witness Spider-Man balance a whopping five antagonists.
The Spider-Man Films Have Outstanding Music
True, fans of vintage music will appreciate the 1970s rock score of the two most recent Guardians of the Galaxy films. Despite this, the soundtracks for the three Spider-Man films—which also include the peppy, end credits songs—are perhaps the greatest in the MCU.
In addition, Spider-Man has a brief but catchy main theme for when he swings into action. Danny Elfman’s score for Sam Raimi’s original trilogy is easily comparable to this song. The soundtrack of the Spider-Man films stands out in a time when it seems like movie scores are becoming lost in the action.
The Spider-Man Films Have A Comic Book Character Feel To Them.
Fans have come to terms with the fact that the MCU’s creators have to alter some of the characters’ traits to fit the big screen, such as removing concepts that have lost their relevance over time or cryptic mythology that only ardent comic book fans would be familiar with. But even so, poor casting is hardly an excuse.
Even if the previous Spider-Man films were good, they changed Peter by making him older and more responsible, which isn’t true to the books. In keeping with the Spider-Man that Stan Lee and Steve Ditko originally envisioned, Tom Holland’s interpretation of the character is an awkward yet endearing teen lad.
The romantic subplot in the Spider-Man films is superior to that in the other Marvel films.
The MCU’s other love stories, like Steve Rogers’ happily-ever-after with Peggy Carter and Star-developing Lord’s romance with Gamora, are also rather enjoyable. However, some of those romances feel forced or develop in stops and starts, which results in an offbeat rhythm.
The Spider-Man films, in contrast, show an awkward but endearing teen relationship between Peter and MJ that is well-paced and neither too sentimental nor dry. The connection between Peter and MJ achieves a delicate balance and demonstrates that love has its own price.
The Spider-Man films stay away from tedious personal effects
Compared to the other half of the MCU’s major characters, Peter Parker’s personal problems and turmoil appear downright refreshing. The other MCU characters have parental issues, as evidenced by Tony’s resentment against his father Howard or Thor’s conflicts with his regal father Odin. The main focus of Guardians of the Galaxy Vol. 2 is Star-issues Lord’s with his father.
Peter Parker doesn’t have any problems with his father, or even with his mother. Only Aunt May, the only known relative of his, is close to him. The MCU has a hero at last who doesn’t get distracted by “my dad never loved me.”
A true underdog is shown in the Spider-Man movies.
Although every MCU hero is weaker than the enemies they must confront, the disparity can occasionally be quite small, as in Iron Man 2, which was released in 2010, where he was Ivan Vanko’s equal in strength. With so many of his fellow Guardians by his side, even the renegade Star-Lord feels quite strong.
Then there are the three Spider-Man films, in which a real underdog plays the lead role. A smart but inexperienced teen lad, Peter Parker is learning everything as he goes and lacks even the emotional maturity of his fellow Avengers. Fans will find it even more interesting to see Spider-escapades Man’s because he is a youngster out of his element.